Friday, May 12, 2017


oil on 30 x 40" 

  I spent the year creating art on the edge of a cherry orchard. The landscape inspired paintings and mixed media work in a variety of sizes, including the series, Women in a Cherry Orchard. My painting was chosen to be part of the exhibition Spark. The show was sponsored by Freenjoy, the producer who received a 2017 Grammy award for BeyoncĂ©'s Formation video. 

Sunday, April 30, 2017

Into the Blue

Into the Blue
oil on 30 x 30" deep wood panel

Friday, March 17, 2017

Women in an Orchard

Women in a Cherry Orchard 
graphite, watercolor, oil stick, block print ink on 32 x 38" cold press paper

Friday, February 17, 2017


Overflow (#RevolutionaryLove)
cherry juice, watercolor, graphite, block print ink triptych on 12x 16" cold press paper

Friday, February 3, 2017

Women in a Cherry Orchard, The Series

A series of paintings, drawings, graphite works, and digital images. I translated the movement through the orchard, a space that has a long tradition in artistic, political, technological, environmental, and mythological landscapes. 

Tuesday, January 17, 2017

Light Field

Instagram Handscroll 
Light Field
text + digital photography + artwork 

Over 50 paintings and drawings, 
including 4 hand-painted scrolls.

An odyssey between the passages of New Orleans and
a cherry orchard;
the unfurling Instagram piece takes direct inspiration 
from the rich tradition of East Asian handscrolls.
A touchscreen and paper remix of the ancient form 
onto the landscapes of the early 21st century.

Sunday, January 1, 2017


The last in a series of four handpainted scrolls. Orchard was created in an old industrial cherry orchard,  as well as in the studio. The materials include cherry juice and branch, copper electrical wire, grasses, carmine ink, oil paint, watercolor, block print ink, and graphite on 144" x 30" cold press paper. The Instagram version is 33 squares of digital photography, and is part of the whole touchscreen handscroll, Light Field. It was posted in process as the painting was created. Improvisational. 

Thursday, December 1, 2016

Electric Blue

Electric Blue
watercolor + graphite + oil pastel + sumi-e ink + copper electrical wire 
on 30" x 150" 90 lb. cold press paper
vertical or horizontal

Tuesday, November 1, 2016

Landscapes of the 21st Century

Instagram Scrolling Triptych 
text + digital photography + watercolor on 6x6" paper
created in the urban passages of New Orleans

& our stories begin like endings 
like the story of our century 
our century of time lapse & speed-
ing cumulous, our century of 
 travel & private publics, our cen- 
tury when for the brief flicker of 
static on ear we knew the absence 
of city as the long gesture of 
interstate glides toward futurity
& if our stories begin like end-
ings in being stories of our cen-
tury, the endings too begin, the
endings & the century during
which we watched our knowing growing &
the beauty of the body came to
exist in motion. The stasis of
day-to-day washed us clean as the 
spaces between rain. Drops. & making
puddles of the page.

Two excerpts from the poem, Seaming by Dan Thomas-Glass // Daughters of Your Century
The poem also includes mention of my On the Seam paintings. 

Monday, October 31, 2016

Mythologies of Touch

Scrolling No. 1: Mythologies of Touch
graphite coding + watercolor on 30" x 180" paper
exhibited at The Art Salon gallery on Magazine Street in New Orleans in 2012